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The Smashing Machine: Dwayne Johnson fights for an Oscar in first trailer

Actor makes major dramatic bid as UFC fighter Mark Kerr in biopic also starring his Jungle Cruise co-star Emily BluntDwayne Johnson and Emily Blunt aim for awards glory with the first trailer for fact-based sports drama The Smashing Machine.The wrestler-turned-actor plays the MMA fighter Mark Kerr in the film inspired by the 2002 documentary with the same name. Kerr won multiple awards and medals in his career and also struggled with substance abuse. Continue reading…

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Dealer’s Choice review – Hammed Animashaun is the ace in a busted flush

Donmar Warehouse, LondonPatrick Marber’s debut play about a group of poker players brims with banter, but this pallid 30th-anniversary revival exposes its weaknessesIn 1995, two British playwrights made their debuts with all-male, six-character chamber-pieces strongly influenced by Pinter and Mamet, and set over one long, tense night in London. Jez Butterworth’s Mojo and Patrick Marber’s Dealer’s Choice proved to be superficially dazzling calling cards rather than enduring classics. Now a pallid 30th-anniversary revival of the latter reveals its weaknesses.Set in a restaurant where the manager Stephen (the Paul Bettany-esque Daniel Lapaine) and his employees Frankie (Alfie Allen), Sweeney (Theo Barklem-Biggs) and Mugsy (Hammed Animashaun) are gearing up for a late-night card game, the play brims with bants.At Donmar Warehouse, London, until 7 June Continue reading…

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‘Chipmunks were obsessed with my mics’: the man who recorded a tree for a year

Joshua Bonnetta spent 8,760 hours recording a pine – then honed it down into a four-hour album full of creatures, cracking branches and quite possibly the sound of leaves growingWhat does a landscape sound like when it’s not being listened to? This philosophical question was a catalyst for film-maker and artist Joshua Bonnetta, who has distilled a year of recordings from a single tree in upstate New York – that’s 8,760 hours – into a four-hour album, The Pines. As Robert Macfarlane writes in his accompanying essay, The Pines is a reminder of the natural world’s “sheer, miraculous busyness”, its “froth of signals and noise”. It is rich with poetic meaning, and resonant amid the climate emergency.“It started as a personal thing,” Bonnetta explains from his studio in Munich, where he relocated from the US in 2022. For over 20 years he has made sonic records of places as private mementos, but recent experiments with long-form field recording led him to push himself “to document this place in the deepest way I could”. On a residency in the Outer Hebrides between 2017 and 2019, Bonnetta made the sound installation Brackish, a month-long continuous radio broadcast from a weather-resistant hydrophone – an underwater mic – by a loch. “I started to leave the recorder for a day or two, then it just got longer,” he says. “Amazing things happen when you’re not there to interfere … This allows you a different, very privileged window into the space.” Continue reading…

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